Resisting my “I’m going to muck it all up” fear, I painted out the top of the tree. I reworked the ‘sky’ until it was right again, knowing that I wanted it to be finished before I painted in the tree again. I didn’t want to have to try and paint the ‘sky’ around the finished tree. I wanted the freedom to use a sweeping, uninterrupted brushstroke as I put in the curves in the sky that echo the sun’s curve.


