Oskar Kokoschka's portraits "are remarkable for their portrayal of the sitter's inner sensibility – or, more realistically, Kokoschka's own."
Kokoschka said in 1912 that when he was working "there is an outpouring of feeling into the image which becomes, as it were, the soul's plastic embodiment."
(Quote source: Styles, Schools and Movements by Amy Dempsey, Thames and Hudson, p72)
Kokoschka said in 1912 that when he was working "there is an outpouring of feeling into the image which becomes, as it were, the soul's plastic embodiment."
(Quote source: Styles, Schools and Movements by Amy Dempsey, Thames and Hudson, p72)