| Out of the Woods by Mari Leahy | |||
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From the Painting Guide: Welcome to the world of oils as many painters will testify, they're great fun to use! There are several things that work for me in this painting, and others that don't. I like the varied positioning and angles of the tree trunks, and the way the one on the right goes off the edge. The one cropped off on the left edge is a bit too narrow (though this may be caused by cropping the photo). The white specks in the greenery under the trunks on the right-hand side reminds me of forests with lily-in-the-valley flowering in spring (though from what I remember that plant has much deeper green leaves). On the left the greenery is a bit too even in tone, which makes it flat. The vertical brush strokes in the greenery give a lovely sense of grasses/plants growing tall do a quick sketch using horizontal brush strokes and you'll see what a different feeling it gives, how the greenery suddenly becomes low-cropped grass. I like the way the blue comes through the leaves of the trees you obviously painted this before the trees. All to often a sky is painted 'around' the elements and suffers for it. The bottoms of the tree trunks are working, they've a very solid prescence and a feeling of texture, though you might want to think about where the light is coming from in the painting (see light sources article) and use this to create highlights and shadows on the trunks there aren't so many trees that no sun would hit the trunks of at least some of them. Remember that the sun will also influence the greenery. The tops of the trees don't work for me the trunks get narrow very quickly on some of the trees, there's greenery which would mean branches, yet there is now brown for branches, the leaves just float in space. Take another look at some trees near you, or at some photos in a book, and see exactly how the branches on these particular trees (they remind me of pines) work. For more tips on painting trees, take a look at the Painting Trees feature and all the trees submitted to the Tree Painting Project.Return to Critique Corner
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