| Amaryllis and Guitar by Lenny Tatara | |||||
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From the Painting Guide: The stark chiaroscuro quality in Amaryllis heightens the purity and geometrical symmetry of the flower. There's something reminiscent of a nun's wimple, of a heavily starched, black-and-white sculpted form. If you wanted to read religious symbolism into the painting, you could say the reds of the ends of the stamens are an indication of Christ's blood or stigmata. Or you could read sensual symbolism into it, reminiscent of that said to be found in Georgia O'Keefe's flower paintings. Guitar, on the other hand, feels like a realistic painting of a crumpled quilt made from a silk scarf. The white lines in the white look like quilting lines; the shading on the colours give it a feeling of silk. The forms and figures aren't fragmented enough to be Cubist (see also Teapot by Casey Baker). Without the title, it could also have been a violin or a cello.Return to Critique Corner
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